Traverse, EdinburghIsobel McArthur’s gag-filled farce takes place in a bland modern hotel with a previous life as an opera houseEarly in Isobel McArthur’s head-spinning new comedy, there is a gag about the uniformity of hotel decor. The joke is plain t…
Continue ReadingIn the second of our two-parter, rock stars, roadies, actors, dancers, composers and comics describe how their lives have been transformed without live shows – and imagine what now lies ahead‘The nation needed a rescue from despair’: Part 1 of culture’…
Continue ReadingIn the final part of our series, UK arts figures give the lowdown on the precious places that nurtured their careers‘I’ve wrestled, climbed the walls and got a black eye there’Robert Softley Gale is the artistic director of Birds of Paradise.Laura Carm…
Continue ReadingWith venues locked down, entertainment-starved audiences are getting in gear for a season of opera, comedy shows and movies experienced from your own car seat – but is it an artistic cul de sac? Britain has never been good at drive-ins. Historically ou…
Continue ReadingAvailable onlineAhamefule J Oluo’s 2014 show about having an autoimmune disease is a moving hybrid of comedy, theatre and jazzSince venues closed their doors because of the coronavirus, a wealth of online theatre has emerged and the industry is finding…
Continue ReadingThe coronavirus crisis has closed galleries and concert halls – but inspired an explosion of creativity to enjoy at home. Here’s some of the best The best theatre and dance to watch onlineThe best classical music onlineGreat livestreamed gigs to watch …
Continue ReadingOnly a handful of people can sing in this visceral, thrilling way – but the feelings they evoke are universal
The best thing I’ve ever seen, in all my long and misspent years hanging around comedy gigs, wasn’t standup. It was opera. Back in the late 90s, I was standing at the bar in one of the spit-and-stale-beer clubs where I cut my teeth, watching the MC corral the usual drunken Friday-night punters. He lighted on a woman in her early 20s at a table down the front and asked “What do you do?” “I’m an opera student,” she replied to general raucous disbelief. “Oh, yeah?” twinkled the compere, smelling pretentious blood (and what MC wouldn’t? An opera singer and a student – that, friends, is a double whammy), “Give us a song, then.” So she did. The gleeful muttering and ironic applause stuttered out when she stood and sang : Puccini’s O mio babbino caro, which, like pretty much everyone else there, I knew at that point only either as the tune from A Room With a View or an ad we couldn’t quite place.
It was incredible: the clarity of her voice, the pureness, the emotion. Such an odd and striking thing to hear in a room where most of the time what comes from the mouths of the performers is soaked in self-conscious irony. And what a reaction! I’ve never seen a four-pints-down crowd focus like that; there was a stillness to the place – a wonder, really – as she sang. And when she finished, they went crazy. Standing screaming crazy. X Factor final audience the-guy-whose-gran-died-just-won crazy.
Related: ROH’s Oliver Mears: ‘Our job is to generate an emotional reaction’
You’re listening to the most basic human tool of communication – the voice – used in an almost impossibly superhuman way
Continue ReadingPlan your viewing with our list of top shows, ordered by start time. This page will be updated throughout the festival Continue reading…
Continue ReadingHe was one of the first openly gay men in metal. Now, after losing everything in a house fire, Faith No More’s Roddy Bottum is bankrolling an opera featuring crystal-meth arias and interspecies duets
In a top-floor flat overlooking Arthur’s Seat in Edinburgh, Roddy Bottum is talking me through his fringe show Sasquatch: The Opera. Bottum is the keyboard player in Faith No More, whose twisted take on hard rock propelled them to global success in the 90s, and he’s at the festival with a cast of opera singers and experimenters from New York’s avant garde performance art scene. Though it’s a few days until curtain-up, they want to give me a preview. In true fringe style they perform four scenes right here in the living room, to music played on his laptop.
Related: Edinburgh festival 2017: 10 shows to see
Did Axl talk to me about being gay? Not so much
Continue ReadingThe singer who stunned Pharrell, the writer to rival Pynchon, the son of a stone carver making art out of his body … we choose 20 names to watch in stage, film, books, art, design, music and TV
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